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Takers boasts some gripping set pieces and keeps things moving quickly, but its two-dimensional characters, clichéd script, and brazenly derivative plot make it hard to recommend. |
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It doesn't fully deliver on the chilly promise of its Blair Witch-style premise, but The Last Exorcism offers a surprising number of clever thrills. |
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It makes good on the old-school action it promises, but given all the talent on display, The Expendables should hit harder. |
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The scenery is nice to look at, and Julia Roberts is as luminous as ever, but without the spiritual and emotional weight of the book that inspired it, Eat Pray Love is too shallow to resonate. |
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While not the best collaboration between Will Ferrell and Adam McKay, The Other Guys delivers bursts of comedy during a summer largely devoid of laughs. |
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Witlessly broad and utterly devoid of laughs, Vampires Suck represents a slight step forward for the Friedberg-Seltzer team. |
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Smart, innovative, and thrilling, Inception is that rare summer blockbuster that succeeds viscerally as well as intellectually. |
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Emma Thompson's second labor of love with the Nanny McPhee character actually improves on the first, delivering charming family fare with an excellent cast. |
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The Switch has an interesting premise and a charming cast; unfortunately, it also has a trite script that hews too close to tired rom-com formulas. |
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Playing exactly to expectations for a movie about killer fish run amok, Piranha 3-D dishes out gore, guffaws and gratuitous nudity with equal glee. |
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