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The Grey is an exciting tale of survival, populated with fleshed-out characters and a surprising philosophical agenda. |
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There's more vapid action and less story in Underworld Awakening than previous installments, making the whole affair feel inconsequential. |
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A proud, born-and-bred Jersey girl, Stephanie Plum's got plenty of attitude, even if she's been out of work for the last six months and just lost her car to a debt collector. Desperate for some fast cash, Stephanie turns to her last resort:... |
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Despite a worthy fact-based story and obvious good intentions, Red Tails suffers from one-dimensional characters, corny dialogue, and heaps of clichés. |
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Uninspired acting and preposterous plotlines defuse Man on a Ledge's mildly intriguing premise. |
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Extremely Loud & Incredibly Close has a story worth telling, but it deserves better than the treacly and pretentious treatment director Stephen Daldry gives it. |
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It's more entertaining than your average January action thriller, but that isn't enough to excuse Contraband's lack of originality and unnecessarily convoluted plot. |
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Funny, moving, and beautifully acted, The Descendants captures the unpredictable messiness of life with eloquence and uncommon grace. |
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Enchanting, sweepingly romantic, and featuring plenty of wonderful musical numbers, Beauty and the Beast is one of Disney's most elegant animated offerings. |
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Haywire is a fast and spare thriller, with cleanly staged set pieces that immerse you in the action. |
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